Make Good Make True
Might might
Make Good Make True
"

The sky
Is a suspended blue ocean.
The stars are the fish
That swim.

The planets are the white whales
I sometimes hitch a ride on,

And the sun and all light
Have forever fused themselves

Into my heart and upon
My skin.

"
Hafiz, “A Suspended Blue Ocean” (via larmoyante)
darksilenceinsuburbia:

Ashlie Chavez. Whale Chart.
langleav:

History by Lang Leav 
"I can sympathize with people’s pains, but not with their pleasures. There is something curiously boring about somebody else’s happiness."
Aldous Huxley, Limbo (via larmoyante)
nvzim:

~
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Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”

Hiroshi Sugimoto - Theaters (1978-93)
Artist’s statement: 
“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 
Suppose you shoot a whole movie in a single frame? 
And the answer: You get a shining screen. 
Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 
That evening, I developed the film, and the vision exploded behind my eyes.”
hawaiiancoconut:

Favorite candles & birthday flowers. 
other-wordly:

pronunciation | ‘sE-yazhnotes | sillage is how close a perfume stays to your skin; perfume with light sillage does not leave much trace in the air. also, not to be confused with silage (sy-ladzh), which is a type of cow food.
awkwardsituationist:

a minke whale passes under andrew peacock’s kayak in neko harbour in the antarctic peninsula 
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